学英语作文

时间：2023-10-31 10:21:03 英语作文我要投稿

[实用]学英语作文8篇

　　在日常学习、工作和生活中，大家总免不了要接触或使用作文吧，作文根据体裁的不同可以分为记叙文、说明文、应用文、议论文。为了让您在写作文时更加简单方便，下面是小编整理的学英语作文8篇，欢迎大家分享。

[实用]学英语作文8篇

学英语作文篇1

　　题目：

　　1. 目前有一些人喜欢在网上炫富

　　2. 人们对这一现象的看法不一

　　3. 我的看法

　　Displaying Wealth Online

　　Nowadays, it is not rare to see people displaying their wealth on the Internet. Some post pictures of luxury goods, such as brand clothes and bags, luxurious automobiles or jewelries. Some write about their experiences in which a lot of money is spent.

　　People have different responses to this phenomenon. Some say that it is people’s right to share their possessions or experiences with others on the Internet, as long as the things are legal and the experiences real. However, some criticize that the rich people are too arrogant. What’s worse, there are also a few who are not actually rich but put fake photos only to satisfy their vanity.

　　In my opinion, sharing is a good thing, and it is exactly the spirit of the Internet. But people should make careful choice on what they are sharing. After all, showing off is not very nice, not to mention faking.

学英语作文篇2

　　M favrite teacher is Miss Huang. She is a beautiful lad. She has tw big ees, a high nse and a sall red uth. There is alwas a sile n her face.

　　我最喜欢的老师是黄老师。她是一位美丽的女士。她有一双大大的眼睛，一个高高的鼻子和一个小小的红色的嘴巴。她的脸上总是带着微笑。

　　Miss Huang lies singing and cllecting psters. She is gd at plaing the pian. In the evening, she alwas sits in frnt f the pian and plas nice usic. She is gd at dancing, t. Seties she teaches us dancing.

　　黄老师喜欢唱歌和收集海报。她擅长弹钢琴。傍晚的时候，她总是坐在钢琴前面弹奏优美的曲子。她还擅长跳舞。有时候，她会教我们跳舞。

　　Miss Huang lies dgs ver uch because the dg is ver friendl and cute. Her favrite clr is blue. Because blue is the clr f the s and the sea.

　　黄老师非常喜欢小狗，因为小狗很友好，很可爱。她最喜欢的颜色是蓝色。因为蓝色是天空和大海的.颜色。

　　This is favrite teacher. Our classates all lie her ver uch.

　　这就是我最喜欢的老师。我们所有的同学都很喜欢她。

　　小作者从外貌、爱好、喜欢的动物和颜色等五个方面介绍了他最喜欢的老师，表达了自己对老师的喜爱之情。

学英语作文篇3

　　Along with the highly advanced society, the importance of innovation has been attached more and more significance in our country. There abound numerous novel gadgets in our daily life.

　　There exist countless contributors for this phenomenon mentioned above, while the following might be the most critical ones. To begin with, seen from the individual’s perspective, once equipped with innovation, he could be compelled to be never satisfied with his status quo, which guarantees his personal success. Apart from that, innovation is the main driving force behind increased competitiveness. To be the unrivaled one in the whole world, a nation has to keep abreast with time, ensuring the dominance of creation.

　　To put all into a nutshell, it goes without saying that innovation does matter. On the one hand, relevant authorities are supposed to set up relevant rules and regulations so as to highlight innovation. On the other hand, we each individual should cultivate this kind of viewpoint since our childhood, by which means we could be bestowed with a bright and promising future!

学英语作文篇4

　　In this picture a man rudely opens a garbage can and violently throws all kinds of waste into it. however, the box is not an ordinary trash can, but is, as a matter of fact, the earth. it is where survive, breed, and prosper. but as the drawing indicates, earth does not receive an equal repayment. quite the contrary, one of the biggest "gifts" humans return to earth is an unbelievable amount of trash.the picture purposefully points out a kind of pollution that arouses little public attention, that is, garbage. the past century has witnessed an unprecedented increase in garbage output, most of it technological products that are difficult to be decomposed through natural processes, such as plastics and glass. furthermore, a recent report released that several major chinese cities are already surrounded by circles of trash in the suburban areas, polluting air, water, and earth.

　　Hence, the issue of waste pollution needs to be addressed as one of the priorities that demand social efforts. only through a holistic system of trash disposal can this problem be fully solved. moreover, we should advocate a more frugal lifestyle so as to reduce the growing scale of waste pollution.

学英语作文篇5

　　there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.

　　these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?

　　more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.

　　every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.

　　at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?

　　what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?

　　first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.

　　the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.

　　as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?

　　the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.

　　or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.

　　what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.

　　installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.

　　american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.

　　many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.

　　why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.

　　but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.

　　the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.

　　its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.

学英语作文篇6

　　Cockroaches are the insects that frighten me most.蟑螂是最让我害怕的昆虫。

　　I wasn't afraid of them before, but now I can't stand them. One day, when I was sleeping, some disgusting odor came to my nose. I found a dead cockroach under my body and its eggs on my pillow! I almost died! I jumped off my bed at once and took a bath quickly. That experience made me hate cockroaches.我以前是不怕他们的，但是现在却受不了他们。一天，当我正在睡觉的时候，我闻到了一股很恶心的味道。我发现在我的身下有一只蟑螂，它的卵在我的枕头上。我几乎吓死。我立刻跳下了床，冲了个澡。那次经历让我开始恨蟑螂。

　　What I find the most disgusting is when a cockroach fly around the room. I'm always afraid that they might stop on my body. Hearing the sound of its wings makes me nervous and afraid.我发现最恶心的是当有蟑螂在房间里面飞。我总是害怕它们会飞落在我的身上。听到蟑螂翅膀振动的.声音会让我紧张害怕。

　　Cockroaches pose a threat to our daily lives. A dirty environment will attract many cockroaches and it does harm to our health. They pollute food and water and bring many illnesses, such as dysentery and skin diseases.蟑螂危害着我们每天的生活。肮脏的环境会引来大量的蟑螂，并危害我们的健康。它们污染我们的食物和水，并给我们带来疾病。比如痢疾，和皮肤病。

　　I can't help shivering at the sight of them.每次见到蟑螂我都禁不住会吓得发抖。

　　小作者记述了自己害怕蟑螂的原因，还有蟑螂对人们生活的危害，来表现自己对蟑螂的惧怕。

学英语作文篇7

　　unday Jane with her mother to go to zoo.In the zoo,they look mang animal.She and her mother look at elephants,lions and tigers.Some animals are very nice,some animals are very ugly,same animals are firendly.Jane have a good time,bcease sheis very like those animals.

　　星期天jane 和她妈去动物园 ,在动物园他们看了好多动物. 她和她妈看了大象,狮子和老虎.有些动物还很漂亮.有些就好丑的. 有些很友好. jane过得很愉快,因为她好喜欢那些动物

　　附：逛动物园作文

　　今天，我和爸爸、妈妈乘坐游六路来到了石家庄市动物园。

　　走进大门，我们首先参观了“火烈鸟馆”，火烈鸟的嘴端是黑色的，它的中基部是粉色的，羽毛是粉红色的，特别美丽。接着，我们又参观了珍猴馆，里面有黑叶猴，黑疣猴，长尾猴，这些小猴子都非常的独特。我们又参观了“猩猩馆”，“大象馆”，“猴山”，还有“熊猫馆”。最使我们难忘的还是“熊猫馆”，里面有两只大熊猫，一只是“朵朵”，另一只是“娅祥”，“朵朵”很安静的在隔壁吃竹子，而“娅祥”在外边，是因为工作人员要清理一下“娅祥”的屋子，“娅祥”还以为进不去了，于是就用脚踹，屁股顶，身体撞，还站立起来拍打玻璃窗，非要进去，后来见撞不开，非常生气恼火，飞快的沿着馆墙愤怒的跑了一圈，紧接着又撞门，一连串动作非常滑稽又可爱，看得游人非常惊诧，与电视上温顺可爱的大熊猫完全两样。这样重复了好几次，后来“娅祥”可能气糊涂了，竟然倒着走路，我想这只熊猫脾气可真大呀！不达目的不罢休。后来，我进馆看到“娅祥”的屋子里不仅有新鲜的'竹子，还非常的凉爽，怪不得“娅祥”这麽想进来呀！这时随着“嘭”的一声，“娅祥”终于把门撞开了，飞快的跑到竹子旁，立刻躺在地上，而且四脚朝天，紧接着两手拿起身边将近两米竹子，用力地折为两截，一手拿一截，放到嘴里用牙齿剥皮，剥掉的皮放到自己的肚皮上，光吃里面的肉，就像我们吃甘蔗一模一样，吃得津津有味，看的我目瞪口呆，“娅祥”和在外边判若两人，真是太可爱了！

　　依依不舍得离开了熊猫馆，我们又去了动物表演场，我看到了猴升旗，小猴骑单车，狮子、老虎作揖敬礼、小狗熊骑无座车，还能带人呢！还有山羊走独木桥……非常的有趣。直到散场了我还舍不得离开。

　　还有我和爸爸还登上了动物园最高峰，在顶峰的凉亭上，四处眺望，整个动物园尽收眼底，风景特别的好，真有一览众山小的感觉。

　　游玩了一天，让我收获颇多，了解了好多动物，又从新认识了好多动物，从中学到了好多知识，让我大开眼界，傍晚的时候带着对动物们依依不舍得心情我和爸爸妈妈离开了动物园回家。

学英语作文篇8

　　hi!i am a chinese girl。my chinese name is lu yingying，my english name is karen。

　　i am very pleased in this contributor。i am 14 years old，my birthday is in september 25.my favorite sport is basketball。my favorite food is vegetables and i like light purple and light blue best.there three people in my family，my father.my mother and

　　i 。my father is a doctor, he goes to work by car every day; he likes to eat ice cream, his favorite sport is basketball。 my mother is a teacher, she goes to work by car every day， too and she likes to eat pizza, her favorite sport is volleyball. we have a very happy life, i love my home!

【学英语作文】相关文章：

学英语的作文06-04